Key Advantages Of Interactive Online Art Communities
Just as beauty is in the eye of the beholder, so is the value and beauty of art. In the olden days, before the communications revolution, it was a few assorted experts, art critics and art galleries that decided what was art and how desirable it was. Any artist who did not stand in good steed with these people had basically not a leg to stand on. There was hardly any chance to get your art seen, outside your circle of friends and relatives. Unfortunately this also meant that a large number of quite talented artists were never discovered.
This is clearly a situation that is not acceptable. Art, and for that matter, any kind of art, must be given the opportunity to be viewed, talked about and most importantly, artist should have the chance to show their art in places where fellow artists and art lovers gather. Fortunately, the increasing availability of the Internet is changing the ways in which artists can present their work and invite feedback and discussion. The andquot;Web 2.0andquot; concept is all about using web technology to bring people together and create communities and social networking.
This means that individuals are no longer relegated to being simple consumers of whatever information is out there, but that they can generate information and content, including art, themselves. When you look at trends in entertainment, you see that traditional monolithic information providers such as commercial TV and newspapers are in the ropes while user communities and user-generated content flourishes. I myself rarely watch commercial network TV anymore. There is so much interesting stuff on the web that commercial-interrupted TV has completely lost its appeal.
Thanks to all this new technology contemporary artists need no longer rely on traditional galleries, art collectors or critics to be andquot;discoveredandquot;. The discovery part is now being done by the people that matter the most - YOU!.. And I am sure that eveyone agrees with me when I say that we are all quite able to decide if we like a piece of art or not. And thanks to web we are now able to make this decision for ourselves. Of course, this does not guarantee that one will be able to make a living from their art, but it certainly provides the springboard to what most artists desire most of all: Feedback and discussions about their art from their peers and enthusiasts. And the added bonus, the icing on the cake so to speak, is that their art can potentially be seen by millions.
There now exists an ever expanding number of ways that artists can put themselves across the web. For example, they can participate in major social networks, they can even join special communities and forums that have been created just for artists, or they are able to create their own interactive online art galleries where they can display whatever type of art their creative spirit so desires. Be it landscape paintings, surrealism, expressionism or abstract art.
The visitors are able to browse through the site at their own pace without feeling pressured to buy something. Of course they are also able to communicate with the artist and fellow art collectors via chat, discussion boards etc. Video Interviews, polls, workshops, discussion groups are just some of the things the online art gallerist is able to do to exchange their thoughts with their visitors. To top it all up site visitors can even commission art directly from the artist. The lanes of communication are limitless. The bottom line is that artists now have entirely new ways to exhibit their work and communicate with art connoisseurs and potential buyers. There are no geographic limits, no artificial barriers, no waiting for galleries, and no reliance on connections with important people. The Internet and web are providing opportunity and access to everyone.
The author for this article is Anna Meenaghan, a contemporary artist, who has been involved in all the various forms of art most of her adult life. As a contemporary painter she understands the various challenges and potential opportunities created for artists only too deeply. Not only does she write about them, but she also turns them to action. Comment by M. Bridger.
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